Box 001
Contains 75 Results:
Baxter, Dr. ms. from M. Nemoy (3 pieces, n.d.)
The Maury Nemoy Papers contain correspondence, mostly about his calligraphic work and teaching, from the 1950s through the 1970s, and job tickets representing the great bulk of Nemoy’s calligraphic work for both commercial and private clients, including the titling for many Hollywood movies.
Bennett, Bettye Lou (8 pieces, 11/67–8/70)
The Maury Nemoy Papers contain correspondence, mostly about his calligraphic work and teaching, from the 1950s through the 1970s, and job tickets representing the great bulk of Nemoy’s calligraphic work for both commercial and private clients, including the titling for many Hollywood movies.
Berry, Wyn (3 pieces, 1/60; includes 1 original from Lloyd Reynolds to Berry 12/59)
The Maury Nemoy Papers contain correspondence, mostly about his calligraphic work and teaching, from the 1950s through the 1970s, and job tickets representing the great bulk of Nemoy’s calligraphic work for both commercial and private clients, including the titling for many Hollywood movies.
Bhang, Sam & family (5 pieces, 1/63-10/65)
The Maury Nemoy Papers contain correspondence, mostly about his calligraphic work and teaching, from the 1950s through the 1970s, and job tickets representing the great bulk of Nemoy’s calligraphic work for both commercial and private clients, including the titling for many Hollywood movies.
Bianco, Yvonne (4 pieces, 1/67-2/67)
The Maury Nemoy Papers contain correspondence, mostly about his calligraphic work and teaching, from the 1950s through the 1970s, and job tickets representing the great bulk of Nemoy’s calligraphic work for both commercial and private clients, including the titling for many Hollywood movies.
Birkmeyer, Karl M., UCLA (1 piece, 7/66)
The Maury Nemoy Papers contain correspondence, mostly about his calligraphic work and teaching, from the 1950s through the 1970s, and job tickets representing the great bulk of Nemoy’s calligraphic work for both commercial and private clients, including the titling for many Hollywood movies.
Brady, Marsha (1 piece, n.d.)
The Maury Nemoy Papers contain correspondence, mostly about his calligraphic work and teaching, from the 1950s through the 1970s, and job tickets representing the great bulk of Nemoy’s calligraphic work for both commercial and private clients, including the titling for many Hollywood movies.
Brandeis Institute (4 pieces, 3/67-4/68)
The Maury Nemoy Papers contain correspondence, mostly about his calligraphic work and teaching, from the 1950s through the 1970s, and job tickets representing the great bulk of Nemoy’s calligraphic work for both commercial and private clients, including the titling for many Hollywood movies.
Brown, Barbara (3 pieces, 1/57-5/57)
The Maury Nemoy Papers contain correspondence, mostly about his calligraphic work and teaching, from the 1950s through the 1970s, and job tickets representing the great bulk of Nemoy’s calligraphic work for both commercial and private clients, including the titling for many Hollywood movies.
Brugger, A. T. (3 pieces, 5/61-10/64)
The Maury Nemoy Papers contain correspondence, mostly about his calligraphic work and teaching, from the 1950s through the 1970s, and job tickets representing the great bulk of Nemoy’s calligraphic work for both commercial and private clients, including the titling for many Hollywood movies.